Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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jenny nystrom
sjalvportrattet
new22/jenny nystrom-944297.jpg
ID: 67115

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jenny nystrom sjalvportrattet


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jenny nystrom

född i Kalmar 13 juni 1854, död 17 januari 1946  Related Paintings of jenny nystrom :. | iduns julnummer | jultomten | brita ch bertil | barnens julklapp | efterlyst |
Related Artists:
Bernhard Wiegandt
painted Sao Clemente Street, Rio de Janeiro in 1884
allart van everdingen
Allaert van Everdingen (bapt. 18 June 1621 Alkmaar - buried 8 November 1675, Amsterdam), was a Dutch Golden Age painter and printmaker in etching and mezzotint. Van Everdingen was the son of a government clerk at Alkmaar. He and his older brothers, the painters Jan and Caesar van Everdingen, according to Arnold Houbraken, were taught by Roelandt Savery at Utrecht. Allaert moved in 1645 to Haarlem, where he studied under Pieter de Molijn, and finally settled about 1657 at Amsterdam, where he died in 1675.
Edward Arthur Walton
British Painter, 1860-1922 He trained at the Staatliche Kunstakademie in Desseldorf (1876-7) and Glasgow School of Art. One of the GLASGOW BOYS, he painted outdoors in the Trossachs and at Crowland, Lincs, with James Guthrie, Joseph Crawhall and George Henry. He also painted in W. Y. Macgregor's life studio in Glasgow. He joined the New English Art Club in 1887 and developed an atmospheric landscape style influenced by plein-air painting and by James McNeill Whistler with whom he was friendly during his stay in London (1894-1904); Autumn Sunshine (1884; U. Glasgow, Hunterian A.G.) is characteristic. Walton was a regular exhibitor from 1880 in both Glasgow, at the Institute of the Fine Arts, and Edinburgh, at the Royal Scottish Academy. He was elected an Associate of the Academy in 1889 and a full member in 1905, taking an active role in its affairs after moving to Edinburgh in 1904. He concentrated after c. 1885 on pastel and on watercolour, which he used notably in his Helensburgh and Kensington scenes of contemporary life. From 1915 he served as President of the Royal Scottish Water Colour Society. Oil was reserved largely for portraits in a Whistlerian style, such as the Artist's Mother.






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